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And check out my new YouTube channel!

Finally, Patty came up with an absolutely brilliant idea. One morning, she took my tapes to work and gave them to Bob. Patty wanted to see what he thought and what connections he might be able to utilize. Bob was a great guy, but was very cautious about matters of this nature. First, he didn’t know me very well. Second, he had started out on his own and didn’t really know that much about music himself. Bob felt sort of handicapped in this regard; hence, he preferred to move cautiously. Third, Bob was particularly careful because his wife was Diana Ross. Bob played the tape at home, where Diana lived. The incredibly modern home, which was owned by Max Factor, was located on Maple Drive in Beverly Hills. Diana happened to overhear the recording as it played and inquired who the artist was. Bob said it was the husband of the lady who worked for him, and he had been asked to give it a listen and see what he might be able to do. The song that Bob liked most was entitled Claudette Mauden, a tune that I had written after having been inspired by the Beatles’ Let It Be. Diana was a very private person and engaged in her solo career. To my surprise, I was invited to meet with her and Bob at the MoWest Offices on Sunset Blvd. MoWest was a subsidiary of Motown Records on the West Coast. I met with Diana on a late Saturday morning. She was formal, yet incredibly engaging, and a very beautiful woman. Everything was going well until I happened to mention that Bob had dropped me off. Apparently, that was the wrong thing to say. Bob, you see, had told her a different story concerning where he was going to be at that time; and there went my career with MoWest. I quickly discovered that I really had to watch what was said in negotiations. The West Coast had taught me an important lesson. In situations like that one, I needed to stick with my original intent and never waver. I, unfortunately, learned the hard way.

Reed Joins the Grass Roots

Somehow, Bob managed to make the best out of an otherwise bad situation. Representing the Grass Roots, Bob decided to give the tape to Warren Entner, who in turn liked the tape a lot. In a strange twist of fate, Patty and I were planning to move into the penthouse apartment just across the street from Warren. I recall meeting with Warren at his house on Miller Drive above Sunset Boulevard. The home had originally been owned by F. Scott Fitzgerald. The photo on the cover of the Move Along album, on which I recorded, was shot in the living room. Coincidentally, Patty’s and my apartment had once been inhabited by Fitzgerald’s mistress, Zelda. Rick Coonce happened to stop by and also heard the tape. He commented, “This stuff is great. Why can’t you get a record deal? ” Warren replied, “That’s precisely what I’m going to try to accomplish with Reed.”

Time passed without results. “We pass,” were the first words on the lips of the people we approached. Warren Entner and I had bonded musically. It was at about this same time that a guy named Terry (not Terry Furlong) was thinking of leaving the Grass Roots. The other members seemed to concur that the time had come for both the band and Terry to go their separate ways.

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